During the 1960s and 1970s, the notion of American identity as performative was becoming increasingly evident in the works of African-American playwrights who were often presenting race as a series of roles based on cultural expectation rather than as an essential and stable core of being. The performative identity of the both black and white Americans weren’t just restricted to the discourse of self or the individual, but the identity which entertained the notion of race enjoyed the freedom of African-American playwrights; they brought forth the issue of race beyond the cultural expectations making the voice heard of the marginalized. Playwrights such as Amiri Baraka , Ed Bullins and Ron Milner, Black Arts movement- a social , political and artistic movement. Baraka wanted a theater that would be honest about the African-American experience, which would abuse and accuse that can be abused and accused. Almost all his works belong to the ‘Theater of Assault’ whic...
“To see a World in a Grain of Sand And a Heaven in a Wild Flower Hold Infinity in the palm of your hand And Eternity in an hour…”